three lessons on the entry of light into a human eyeball, with misleading reference to the evolution of the eyeball

it is not just biology
that loses focus when
too close, or very close
when close it is hard to
make out an outline
or see where the right
parts should go or
what is missing, a diagram
that is related:

so it hits exactly the right
point, but when it goes
a little farther
then who knows,
really.  i like the
fact that you are just
beyond my peripherary
there is no need to
check if you are there
as i couldn't see anyway
i just think that you are
and that seems to work
well

notes

similar to how the right to protest is a system enha
ncing authorised safety valve the right to doubt gi
ves ELASTIC qualities that ultimately IMPROVE
or strengthen allowing a range of responses that st
ill result in YES. i am not talking about human inter
action.  i AM not defending myself.  i REJECT cap
italisation of the 'i'.  oppression of.  love for a syst
em betrayed. for a status which is the best.  fumes
and fine particles/bomb disposal.

severed retreat
heal dress st-
stupor wake
hold tight
'til bones
crack flee
her voice

undo his
sweet

cure keep
down solid
food

patience
shown and
fast held
mopped
daily
laundry, towels
one pile,
daily
sheets sink
back and

rather
not say


hospital bed,
it's a modern day skull (IF)

banal and
singularly
unaffecting

i'm portugal you're china he's india he doesn't get to be india he's burma he's myanmar he doesn't know where myanmar is you look like a burmese national you look like a burmese citizen you pay taxes to the burmese leadership a military junta he doesn't know what a junta is why am i china you look like a chinese boy she likes to pretend she is a big man i am a you are a small boy i can carry twenty kilograms of flour from the car to the house go on then go on then alright

// chose the image of a Black Square  He wrote, , that when painting it he felt ‘black nights, and ‘a  timidity bordering’, but when he neared completion he experienced a ‘blissful  where nothing , and feeling became the substance of my life.’//

Saturday, 5 December 2009

polygon. an understated,










:









make poor attempts it to flow.



no sweet trick,



or an another place









Urgent, an urgent,















Bedrock.



The stopped dead cold of a lack









fat satisfaction -









I keep,



blank dream.





.


If you get too happy you’ll forget how to speak permaculture, a course on permaculture a Welcome Break, an accurate description. Something other than being still. It’s like july 1995, you know, all over again.



anecdote: the mosquitoes would get so full of[f] my blood they would struggle to carry the weight of their red bellies and i would slam them against the wall with a copy of a portrait of the artist as a young man, one of his less challenging works now stained.


An argument about who is the most offended:: a deep layer and then a high clean one


Urgent, an urgent,

Bedrock.
The stopped dead cold of a lack

Loss of the need to do, a fat satisfaction







Director: Matthew Stone


These New Puritans - Attack Music



Via Pitchfork
http://pitchfork.com/tv/#/musicvideo/4138-these-new-puritans-attack-music-domino

10th jan:
SUNDAY

__________________________________________________________
Can you draw a diagram of a heart with your eyes closed?

Yes.

Would it be accurate?

Yes.

Could you label it?

With my eyes closed?

Yes.

Maybe.

...

No I'd have to open my eyes to check.  And then I could do it without looking.

Bicuspid, Tricuspid.

Lunar, ventricular, yes.

Ventricular aortic.

And so on.

________________________________________________________

>Before you know it<

A short performance (1 hour duration) by Irum Fazal & Jeremy Hardingham.
Before you know itJudith E. Wilson Studio,>>Basement,>>Faulty of English, >>9 West Road,>>Cambridge.>>>>8pm ~ Tuesday 8 December 2009>>free bar >>>>>Before you know it<>>>>A short performance (1 hour duration) its only texts fragments from Simone Weil's 'Gravity and >> Grace' (excerpted from an English translation by Emma Crawford & Mario >> von der Ruhr), the performance takes place largely silently, with a few >> incursions of recorded music, and noise of the performers. Working >> seperately, solitary, each performer is engaged in creative acts of >> forgetting, or of summoning memories to be expressed, yet without the >> traditional means with which to describe >>activities are interrupted 3 times by the performers sharing the >>stage (a simple wooden platform) in the centre of the room. Here they may >>speak, or remain speechless, or sing.>>>> performance arises out of a resistance to performance, a feeling > that it is not worth it; that political or spiritual action has no place > upon the stage. It also comes from an attitude to performance which is > less to do with 'acting' than with an awareness of existence, a sharing > of intimate thinking and actions, things living and dead which cannot but be made before an audience. > an audience.>>We invite conversation after the performance, to have a glass of something >and to continue any dialogue which this little event may enrol.

1) Foxes have three legs




2) Foxes eat courgettes



3) Live in the bushes in front of the bungalow



4) They are sandy coloured



5) They walk along pavements



6) And stand to one side,



7) Wait in a driveway to let you pass.

___ - --- - - - - -- - - --








A tsunami is what happens when a wall,
An immense body crashes in japan.
I wrap this in a foreign language that i learnt from an
>English<>dictionary< so I can give it you without you
knowing

 stayed, had peacocks in the yard but I never saw them only heard them at odd times, and everyone else thought peacocks were so commonplace they weren't worth seeking out.